front cover of Japan Rearmed
Japan Rearmed
The Politics of Military Power
Sheila A. Smith
Harvard University Press, 2019

Japan’s U.S.imposed postwar constitution renounced the use of offensive military force, but, as Sheila Smith shows, a nuclear North Korea and an increasingly assertive China have the Japanese rethinking that commitment, and their reliance on United States security.

Japan has one of Asia’s most technologically advanced militaries and yet struggles to use its hard power as an instrument of national policy. The horrors of World War II continue to haunt policymakers in Tokyo, while China and South Korea remain wary of any military ambitions Japan may entertain. Yet a fundamental shift in East Asian geopolitics has forced Japan to rethink the commitment to pacifism it made during the U.S. occupation. It has increasingly flexed its muscles—deploying troops under UN auspices, participating in coercive sanctions, augmenting surveillance capabilities, and raising defense budgets.

Article Nine of Japan’s constitution, drafted by U.S. authorities in 1946, claims that the Japanese people “forever renounce the use of force as a means of settling international disputes.” When Prime Minister Shinzo Abe broke this taboo by advocating revision of Article Nine, public outcry was surprisingly muted. The military, once feared as a security liability, now appears to be an indispensable asset, called upon with increasing frequency and given a seat at the policymaking table.

In Japan Rearmed Sheila Smith argues that Japan is not only responding to increasing threats from North Korean missiles and Chinese maritime activities but also reevaluating its dependence on the United States. No longer convinced that they can rely on Americans to defend Japan, Tokyo’s political leaders are now confronting the possibility that they may need to prepare the nation’s military for war.

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Jewish Families in Europe, 1939-Present
History, Representation, and Memory
Edited by Joanna Beata Michlic
Brandeis University Press, 2017
This book offers an extensive introduction and 13 diverse essays on how World War II, the Holocaust, and their aftermath affected Jewish families and Jewish communities, with an especially close look at the roles played by women, youth, and children. Focusing on Eastern and Central Europe, themes explored include: how Jewish parents handled the Nazi threat; rescue and resistance within the Jewish family unit; the transformation of gender roles under duress; youth’s wartime and early postwar experiences; postwar reconstruction of the Jewish family; rehabilitation of Jewish children and youth; and the role of Zionism in shaping the present and future of young survivors. Relying on newly available archival material and novel research in the areas of families, youth, rescue, resistance, gender, and memory, this volume will be an indispensable guide to current work on the familial and social history of the Holocaust.
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Jewish on Their Own Terms
How Intermarried Couples are Changing American Judaism
Thompson, Jennifer A
Rutgers University Press

Over half of all American Jewish children are being raised by intermarried parents. This demographic group will have a tremendous impact on American Judaism as it is lived and practiced in the coming decades. To date, however, in both academic studies about Judaism and in the popular imagination, such children and their parents remain marginal.  

Jennifer A. Thompson takes a different approach. In Jewish on Their Own Terms, she tells the stories of intermarried couples, the rabbis and other Jewish educators who work with them, and the conflicting public conversations about intermarriage among American Jews. Thompson notes that in the dominant Jewish cultural narrative, intermarriage symbolizes individualism and assimilation. Talking about intermarriage allows American Jews to discuss their anxieties about remaining distinctively Jewish despite their success in assimilating into American culture.

In contrast, Thompson uses ethnography to describe the compelling concerns of all of these parties and places their anxieties firmly within the context of American religious culture and morality. She explains how American and traditional Jewish gender roles converge to put non-Jewish women in charge of raising Jewish children. Interfaith couples are like other Americans in often harboring contradictory notions of individual autonomy, universal religious truths, and obligations to family and history.

Focusing on the lived experiences of these families, Jewish on Their OwnTerms provides a complex and insightful portrait of intermarried couples and the new forms of American Judaism that they are constructing.

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Jewish Peoplehood
An American Innovation
Pianko, Noam
Rutgers University Press, 2015
Winner of the 2017 Saul Viener Book Prize from the American Jewish Historical Society​

Although fewer American Jews today describe themselves as religious, they overwhelmingly report a strong sense of belonging to the Jewish people. Indeed, Jewish peoplehood has eclipsed religion—as well as ethnicity and nationality—as the essence of what binds Jews around the globe to one another. In Jewish Peoplehood, Noam Pianko highlights the current significance and future relevance of “peoplehood” by tracing the rise, transformation, and return of this novel term. 
 
The book tells the surprising story of peoplehood. Though it evokes a sense of timelessness, the term actually emerged in the United States in the 1930s, where it was introduced by American Jewish leaders, most notably Rabbi Stephen Wise and Rabbi Mordecai Kaplan, with close ties to the Zionist movement. It engendered a sense of unity that transcended religious differences, cultural practices, geographic distance, economic disparity, and political divides, fostering solidarity with other Jews facing common existential threats, including the Holocaust, and establishing a closer connection to the Jewish homeland. But today, Pianko points out, as globalization erodes the dominance of nationalism in shaping collective identity, Jewish peoplehood risks becoming an outdated paradigm. He explains why popular models of peoplehood fail to address emerging conceptions of ethnicity, nationalism, and race, and he concludes with a much-needed roadmap for a radical reconfiguration of Jewish collectivity in an increasingly global era.
 
Innovative and provocative, Jewish Peoplehood provides fascinating insight into a term that assumes an increasingly important position at the heart of American Jewish and Israeli life.
 
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front cover of John le Carré’s Post–Cold War Fiction
John le Carré’s Post–Cold War Fiction
Robert Lance Snyder
University of Missouri Press, 2017

This is an analysis of the first 10 post—Cold War  novels of one of the most significant ethicists in contemporary fiction.

This book challenges distinctions between “popular” and “serious” literature by recognizing le Carré as one of the most significant ethicists in contemporary fiction, contributing to an overdue reassessment of his literary stature. Le Carré’s ten post–Cold War novels constitute a distinctive subset of his espionage fiction in their response to the momentous changes in geopolitics that began in the 1990s. Through a close reading of these novels, Snyder traces how—amid the “War on Terror” and transnationalism—le Carré weighs what is at stake in this conflict of deeply invested ideologies.

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John Vinci
Life and Landmarks
Text by Robert Sharoff, Photographs by William Zbaren
Northwestern University Press, 2017
John Vinci: Life and Landmarks is the first authoritative survey of the life and work of one of Chicago’s most acclaimed architects and preservationists. Long awaited by scholars as well as by architecture aficionados, John Vinci provides an intimate look at an architect whose portfolio spans half a century and includes the restoration of some of the city’s most important historic structures as well as numerous award-winning original projects.

This illustrated biography traces Vinci’s origins as a child of Italian immigrants on Chicago’s South Side and his coming of age at the Illinois Institute of Technology, which was then under the direction of the legendary Modernist architect Ludwig Mies van der Rohe. It follows his career through his subsequent immersion in the historic preservation movement and the work of such early Chicago architects as Louis Sullivan, Frank Lloyd Wright, and John Wellborn Root.

Vinci’s pioneering restoration projects include Frank Lloyd Wright’s Robie House and Home Studio, Sullivan’s Chicago Stock Exchange Trading Room and the Carson Pirie Scott Building, and Root’s Monadnock Building. His original work, meanwhile, includes notable buildings such as the Arts Club of Chicago, numerous award-winning residences, and more than fifty major exhibitions at the Art Institute of Chicago and other museums.

John Vinci: Life and Landmarks also features portraits and profiles of Vinci’s friends and mentors over the years, including the architectural photographer Richard Nickel, the landscape designer Alfred Caldwell, the Art Institute curators James Speyer and Anne Rorimer, the architects Crombie Taylor and Myron Goldsmith, and the City of Chicago’s cultural historian Tim Samuelson.

The book includes new photos of twenty projects by noted architectural photographer William Zbaren as well as more than one hundred vintage photos and floorplans from Vinci’s personal archives, many never before published. A comprehensive catalogue raisonné rounds out this handsome and definitive work.
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front cover of Jordan Peele's Get Out
Jordan Peele's Get Out
Political Horror
Dawn Keetley
The Ohio State University Press, 2020
Jordan Peele’s Get Out: Political Horror is a collection of sixteen essays devoted to exploring Get Out’s roots in the horror tradition and its complex and timely commentary on twenty-first-century US race relations. The first section, “The Politics of Horror,” traces the influence of the gothic and horror tradition on Peele’s film, from Shakespeare’s Othello, through the female gothic and Ira Levin’s Rosemary’s Baby and The Stepford Wives, to the modern horror film, including the zombie, rural, suburban, and body-swap subgenres of horror. The second section, “The Horror of Politics,” takes up Get Out’s varied political interventions—notably its portrayal of the continuation of slavery and the deformation of the black body and mind in white, so-called progressive America. Contributors address Peele’s film alongside African American figures such as Nat Turner, W. E. B. Du Bois, and James Baldwin. Taken together, the essays illuminate how Get Out stands as both a groundbreaking intervention in the horror tradition as well as a devastating unmasking of racism in the contemporary United States.
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Just a Journalist
On the Press, Life, and the Spaces Between
Linda Greenhouse
Harvard University Press, 2017

In this timely book, a Pulitzer Prize–winning reporter trains an autobiographical lens on a moment of remarkable transition in American journalism. Just a few years ago, the mainstream press was wrestling with whether labeling waterboarding as torture violated important norms of neutrality and objectivity. Now, major American newspapers regularly call the president of the United States a liar. Clearly, something has changed as the old rules of “balance” and “two sides to every story” have lost their grip. Is the change for the better? Will it last?

In Just a Journalist, Linda Greenhouse—who for decades covered the U.S. Supreme Court for The New York Times—tackles these questions from the perspective of her own experience. A decade ago, she faced criticism from her own newspaper and much of journalism’s leadership for a speech to a college alumnae group in which she criticized the Bush administration for, among other things, seeking to create a legal black hole at Guantánamo Bay—two years after the Supreme Court itself had ruled that the detainees could not be hidden away from the reach of federal judges who might hear their appeals.

One famous newspaper editor expressed his belief that it was unethical for a journalist to vote, because the act of choosing one candidate over another could compromise objectivity. Linda Greenhouse disagrees. Calling herself “an accidental activist,” she raises urgent questions about the role journalists can and should play as citizens, even as participants, in the world around them.

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front cover of Just an Ordinary Woman Breathing
Just an Ordinary Woman Breathing
Julie Marie Wade
The Ohio State University Press, 2020
Winner, 2021 Housatonic Book Award
Finalist for the Publishing Triangle's Judy Grahn Award for Lesbian Nonfiction


You have a history, and a body. You are a history, and a body. Your body has (is) a history, too. As a girl, Julie Marie Wade was uninterested in makeup, boy-watching, and other trappings of conventional girlhood, much to her mother’s disappointment. Grace Kelly and Marilyn Monroe—movie stars immortalized as feminine ideals, even as they both died tragically and young—were lodestars that threw Wade’s own definition of beauty into relief as she stumbled into adulthood.

Now, in Just an Ordinary Woman Breathing, Wade traces the intimate story of coming of age in one particular body (as a lesbian, an only child, a Protestant attending Catholic school). She uses the language and tenets of music, math, religion, fairy tales, poetry, and art to reckon with the many facets of embodiment, sexuality, and love in our contemporary world. The diet industry, popular culture, and her own family all provide rich material for what is ultimately a lyrical and unflinching investigation into the questions that prickle deep within the human heart.
 
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